Decorative style and technique contrast
Decorative style and technique, distinct from the Ming Dynasty and Qing Dynasty furniture furniture. The Qing Dynasty furniture skeleton is thick and strong, and the straight shape is more than the Ming style. The subject matter is vivid and varied, and the decoration is strong. The overall generous and partial decoration is meticulous. Ming Dynasty furniture pays attention to the shape, often with a small area, decorated with fine carvings, and decorated with the most appropriate parts, forming a strong contrast with large areas, large faces and large curvatures, making the whole more vivid and simple. Spent and generous. The Ming Dynasty furniture has many techniques and techniques in detailing. It is roughly divided into three techniques : engraving, inlay ( treasure inlay ) and enamel decoration. Another feature of Ming Dynasty furniture decoration is the use of accessory parts. It usually refers to various patterns embedded in stools, piers, tables, case cores and door frames, bed enclosures, soft drawers made of velvet and rattan silk, copper and iron. The leaves are wrapped in cabinets, boxes, cabinets, chairs, shackles, etc. as a variety of accessories for the face leaf, handle, and hinge. They are equipped with accessories according to functional requirements, especially copper trims, which not only protect the furniture, but also enhance the decorative function. The Qing style furniture pays attention to the form, and does not hesitate to use the materials and materials, and the craftsmanship has reached a level that cannot be added. In the decoration, it strives to be gorgeous, using decorative materials of different textures such as gold and silver, jade, precious stones, coral, ivory, and treasure. The inlay and porcelain inlay are also important decorative techniques at that time; gold and painting are also occupied in Qing furniture . Certain position.
Decorative pattern contrast
The pattern on the furniture decoration is the best basis for reflecting the times, because it has the same distinctive era characteristics as the patterns of other handicrafts, and some patterns can even be used as important evidence for the era of research. In the Ming Dynasty, there were relatively clear wraps on the utensils; in the Qing Dynasty, the furniture patterns were full, and they were usually decorative patterns such as flowers and birds that symbolize auspiciousness. The patterns of the same category are also very different in the Ming and Qing dynasties. For example, the dragon pattern is a kind of ornament that is more commonly used in court furniture. In the Ming Dynasty, the bones and bones evolved to pull all the lines on the legs, the hair on the head was rushed, the dragons were rolled or rolled, and the windmill-like five claws appeared; The hair of the leading faucet is traversed, and the zigzag shape appears, and the tail has an autumn-shaped decoration.
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